Sunday brings me back to the drawing table and my never ending never project. The name came about when good friend Katelyn Rea was commenting on orientation at East Carolina. She said so many kids were breathing sighs of relief to be there, proclaiming that the school was their first, second choice. She said she just looked at them and said that it was her never choice. She never wanted to go there. She was even pretty sure that her folks finished her application.
That's it I tell her since my project had been in the conversation too. It's my never project. I never wanted to do it. It just fell into my lap. I do admit that things falling into my lap is my preferred form of work. But even with a project tossed at you there is still a choice. And for this one I was quite content to say that it sounded interesting but no thanks. You know how sometimes you say those things but you're secretly hoping for a different outcome. Well, I really did not care. It was completely fine with me if I was never a part of the project. It was a fun idea, but I had plenty of other things on my schedule.
Well, things didn't exactly turn out like I thought they would. The author's vision of a mother-son collaborative which I firmly supported was off the table. The publisher wanted my work. In a moment of weakness, I had sent the author some sketches to include with her original proposal to the publisher so that it would look fuller, never expecting that to go anywhere.
But go it did and when I finally realized that not only was I the illustrator of choice but also that the book was on track to actually be published, my ego had stepped in and accepted the challenge.
The project had a short deadline made even more so by indecision about the illustrator. Hence, Donny suggested Paris for full focus sketching. Never would I diss that idea. As I got into the project it began to grow on me. I would never have taken it on, ego or no, if I had not been interested. But I was very apprehensive about drawing Santa. He cannot be just thrown out there. He has to look right, really right. The sketch of a Santa scene that I had submitted to the publisher when they asked for more samples still haunts me. It seemed fine at the time, but now when I look at it, I see a pigmy Santa. Just. Wrong.
Today I am pleased. Santa, and the scenes, are looking very good. And I am getting close to the last pages. But enough for one day. We dress for a quick dinner downstairs. We usually eat outside at one of the four two seater tables. But they are all occupied and so we go inside and get a table. Midway through our meal a family comes in. A twenty something who has a Winona Ryder look is among them. I comment to Donny that it is surprising that she would be content to wear an ordinary hoodie in Paris. I wonder if her eyelashes are real, they are so long. Perhaps I stare, I don't know. It's an annoying Jett trait that can cause trouble. They are sitting not exactly next to us, but quite near. It is a very small cafe.
We are eating our dessert when this gal pops up from her seat (I never saw this) and suddenly she is in my face shouting did I have a problem with her and some other English words (no cussing) that I do not recall. And she turns and walks away. The family is still eating their dinner. She has moved to a seat farther away from us. Donny and I try not to laugh for fear of offending her more. Donny has just made a comment prior to her outburst about the little sister looking like Wednesday from the Addams Family.
Never a dull moment in Paris.
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